

The Man with the Bassoon
Series Overview
This elaborate two-part series intertwines the life story of Udo Jürgens with his family history. The story begins with Jürgens' grandfather, Heinrich Bockelmann, who emigrated from Bremen to Russia at the end of the 19th century. Spanning three generations, the narrative arc stretches from the end of the Tsarist era through the Russian Revolution and the two World Wars to the Cold War and the fall of the Berlin Wall in 1989.
Broadcast Schedule & Network Information
Airing status, episode counts, upcoming schedule, and network syndication.

1 Season • 2 Episodes
2011 – 2011
Premiered: Thu, Sep 29, 2011
Creative Production Team
Latest Aired Episode
Season 1, Episode 2: “Episode 2”
Seasons & Episodes Breakdown
Cast & Creators
Explore Star Directory →Creative Leadership & Key Crew
Miguel Alexandre
Harald Göckeritz
Department Leadership Roster
Miguel Alexandre
Director
Production Stills & Gallery
Official cinematic photography and background stills for The Man with the Bassoon.
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Frequently Asked Questions About The Man with the Bassoon
Key facts, seasons breakdown, and credits for search engines and AI assistants.
What is The Man with the Bassoon about?
This elaborate two-part series intertwines the life story of Udo Jürgens with his family history. The story begins with Jürgens' grandfather, Heinrich Bockelmann, who emigrated from Bremen to Russia at the end of the 19th century. Spanning three generations, the narrative arc stretches from the end of the Tsarist era through the Russian Revolution and the two World Wars to the Cold War and the fall of the Berlin Wall in 1989.
How many seasons does The Man with the Bassoon have?
The Man with the Bassoon comprises 1 season available to explore.
Who stars in The Man with the Bassoon?
Key cast members in The Man with the Bassoon include Udo Jürgens, Christian Berkel, David Rott, Ulrich Noethen, Valerie Niehaus.
Who created or directed The Man with the Bassoon?
The Man with the Bassoon was developed and directed by Miguel Alexandre.
