
Tetoterapia, el musical
Synopsis
The story of a woman with healing powers. To save her best friend from a violent and tortuous relationship, they both decide to leave their small northern town for the big city, relying on their gift to survive. Not knowing that they would face the Machiavellian business of pharmaceutical laboratories, which will do whatever it takes to kill the new competition. The odyssey of this woman and her friend will lead them to know love, success and fame, but also the violence and ambition of a business that no longer has any conscience of morality or human welfare.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Alejandra Gómez, Jorge Panchana
- Original Title
- Tetoterapia, el musical
- Spoken Languages
- Spanish
- Runtime
- 1h 12m
Creative Leadership & Key Crew
Alejandra Gómez, Jorge Panchana
Department Leadership Roster
Alejandra Gómez
Director
Jorge Panchana
Director
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Frequently Asked Questions About Tetoterapia, el musical
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Tetoterapia, el musical about?
The story of a woman with healing powers. To save her best friend from a violent and tortuous relationship, they both decide to leave their small northern town for the big city, relying on their gift to survive. Not knowing that they would face the Machiavellian business of pharmaceutical laboratories, which will do whatever it takes to kill the new competition. The odyssey of this woman and her friend will lead them to know love, success and fame, but also the violence and ambition of a business that no longer has any conscience of morality or human welfare.
Who directed Tetoterapia, el musical?
Tetoterapia, el musical was directed by Alejandra Gómez, Jorge Panchana.
Who stars in Tetoterapia, el musical?
The principal cast of Tetoterapia, el musical includes Hija de Perra.
When was Tetoterapia, el musical released and how long is it?
Tetoterapia, el musical was released in 2020 with a total runtime of 1h 12m.
