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Teresa poster
20175mMozambique, Portugal, Sao Tome and Principe

Teresa

Synopsis

Teresa evokes a memory. A memory as a place of resistance. A memory suspended in space and time. A place one can return to. The fragmented image of an intimate record. The impression of moments forgotten in time but ready to emerge from oblivion—moments that allow us to build a possible history: the history we want to see. – Tânia Dinis

Release History & Theatrical Window

World Premiere

DOBRA International Experimental Festival of Rio de Janeiro, Brazil

Festival / Special Debut

Key Information & Fast Facts

Director
Tânia Dinis
Screenplay & Story
Pedro Bastos
Original Score
Jorge Quintela
Original Title
Teresa
Country of Origin
Mozambique, Portugal, Sao Tome and Principe
Spoken Languages
English
Runtime
5m

Creative Leadership & Key Crew

Director

Tânia Dinis

Screenplay & Story

Pedro Bastos

Original Score & Music

Jorge Quintela

Producers

Jorge Quintela, Tânia Dinis

Department Leadership Roster

Jorge Quintela

Jorge Quintela

Producer

Tânia Dinis

Tânia Dinis

Producer

Pedro Bastos

Writer

Tânia Dinis

Tânia Dinis

Director

Official cinematic photography and background stills for Teresa.

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Frequently Asked Questions About Teresa

Quick factual answers about cast, synopsis, director, box office, and release information.

What is Teresa about?

Teresa evokes a memory. A memory as a place of resistance. A memory suspended in space and time. A place one can return to. The fragmented image of an intimate record. The impression of moments forgotten in time but ready to emerge from oblivion—moments that allow us to build a possible history: the history we want to see. – Tânia Dinis

Who directed Teresa?

Teresa was directed by Tânia Dinis.

Who stars in Teresa?

The principal cast of Teresa includes Horácio Guiamba.

When was Teresa released and how long is it?

Teresa was released in 2017 with a total runtime of 5m.

Who composed the musical score for Teresa?

The original motion picture soundtrack for Teresa was composed by Jorge Quintela.