
Folktale From Two Lands
Synopsis
From opposite ends of the globe come two animated tales illustrating that the wishes and fantasies of people are similar folk themes the world over. The European tale of 'The Fisherman and his Wife' and the Japanese story of 'The Stonecutter' remind us that it is human nature to dream of unlimited glory, but in reality, there is great joy and contentment to be found in ordinary living.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Leah Miller, Pieter van Deusen
- Original Score
- Lisa Brenneis
- Original Title
- Folktale From Two Lands
- Country of Origin
- United States of America
- Spoken Languages
- English
- Runtime
- 16m
Creative Leadership & Key Crew
Leah Miller, Pieter van Deusen
Lisa Brenneis
Department Leadership Roster
Leah Miller
Director
Pieter van Deusen
Director
Production Stills & Gallery
Official cinematic photography and background stills for Folktale From Two Lands.
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Frequently Asked Questions About Folktale From Two Lands
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Folktale From Two Lands about?
From opposite ends of the globe come two animated tales illustrating that the wishes and fantasies of people are similar folk themes the world over. The European tale of 'The Fisherman and his Wife' and the Japanese story of 'The Stonecutter' remind us that it is human nature to dream of unlimited glory, but in reality, there is great joy and contentment to be found in ordinary living.
Who directed Folktale From Two Lands?
Folktale From Two Lands was directed by Leah Miller, Pieter van Deusen.
Who stars in Folktale From Two Lands?
The principal cast of Folktale From Two Lands includes Walker Edmiston.
When was Folktale From Two Lands released and how long is it?
Folktale From Two Lands was released in 1988 with a total runtime of 16m.
Who composed the musical score for Folktale From Two Lands?
The original motion picture soundtrack for Folktale From Two Lands was composed by Lisa Brenneis.
