
La donna che abita la Montagna
Synopsis
Bilquis is a woman who lives alone in a remote forest house, in the middle of nowhere. She has fled her own town to avoid execution for committing a crime. While peacefully living out her lonely days, she accidentally hits a little girl with an arrow while hunting. Bilquis decides to take the girl home and treat her wound, before it becomes infected. This unfortunate event further reminds Bilquis of the crime she committed in her hometown, and she is haunted by the personification of what appears to be her sense of guilt.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- —
- Original Title
- La donna che abita la Montagna
- Country of Origin
- Italy
- Spoken Languages
- Italian
- Runtime
- 9m
- Production Studios
- Filmhub
Production Stills & Gallery
Official cinematic photography and background stills for La donna che abita la Montagna.
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Frequently Asked Questions About La donna che abita la Montagna
Quick factual answers about cast, synopsis, director, box office, and release information.
What is La donna che abita la Montagna about?
Bilquis is a woman who lives alone in a remote forest house, in the middle of nowhere. She has fled her own town to avoid execution for committing a crime. While peacefully living out her lonely days, she accidentally hits a little girl with an arrow while hunting. Bilquis decides to take the girl home and treat her wound, before it becomes infected. This unfortunate event further reminds Bilquis of the crime she committed in her hometown, and she is haunted by the personification of what appears to be her sense of guilt.
Who directed La donna che abita la Montagna?
La donna che abita la Montagna was directed by Not specified.
Who stars in La donna che abita la Montagna?
The principal cast of La donna che abita la Montagna includes Elisa Carrera Fumagalli.
When was La donna che abita la Montagna released and how long is it?
La donna che abita la Montagna was released in the theatrical window with a total runtime of 9m.
