
Work (or To Whom Does the World Belong)
El trabajo o A quién le pertenece el mundo
Synopsis
Children at recess are witnesses to the conflict between riot police and strikers. The neighborhood of a mining town is transformed into a battlefield for the last time. After the failure of the strike, calm returns to the streets and workers to work, with the certainty of knowing that the closure of the wells can no longer be stopped.
Release History & Theatrical Window
November 20, 2019
Wide Cinema Exhibition
Key Information & Fast Facts
- Director
- Elisa Cepedal
- Screenplay & Story
- Elisa Cepedal
- Original Title
- El trabajo o A quién le pertenece el mundo
- Country of Origin
- Spain, United Kingdom
- Spoken Languages
- English, Spanish
- Runtime
- 1h 5m
- Production Studios
- EMU Films
Creative Leadership & Key Crew
Elisa Cepedal
Elisa Cepedal
Department Leadership Roster
Elisa Cepedal
Director
Elisa Cepedal
Screenplay
Production Stills & Gallery
Official cinematic photography and background stills for Work (or To Whom Does the World Belong).
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Frequently Asked Questions About Work (or To Whom Does the World Belong)
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Work (or To Whom Does the World Belong) about?
Children at recess are witnesses to the conflict between riot police and strikers. The neighborhood of a mining town is transformed into a battlefield for the last time. After the failure of the strike, calm returns to the streets and workers to work, with the certainty of knowing that the closure of the wells can no longer be stopped.
Who directed Work (or To Whom Does the World Belong)?
Work (or To Whom Does the World Belong) was directed by Elisa Cepedal.
Who stars in Work (or To Whom Does the World Belong)?
The principal cast of Work (or To Whom Does the World Belong) includes Not specified.
When was Work (or To Whom Does the World Belong) released and how long is it?
Work (or To Whom Does the World Belong) was released in 2019 with a total runtime of 1h 5m.
