Boia, maschere e segreti: l’horror italiano degli anni sessanta

biennale cinema 2019 // 76th venice international film festival

01 / <b>venezia 76 competition: opening film</b> 02–21 / <b>venezia 76 competition</b> 22–27 / <b>out of competition: fiction</b> 28 / <b>out of competition: closing film</b> 29–38 / <b>out of competition: non-fiction</b> 39–43 / <b>out of competition: special screenings</b> ZeroZeroZero. Stefano Sollima. episodes no. 1 and 2 The New Pope. Paolo Sorrentino. episodes no. 2 and 7 — 44–62 / <b>orizzonti</b> 63–75 / <b>orizzonti: short films. competition</b> 76–77 / <b>orizzonti: short films. out of competition</b> — 78–83 / <b>sconfini</b> — 84 / <b>venezia 76: special event</b> — 85–95 / <b>giornate degli autori. official selection</b> 96–101 / <b>giornate degli autori: special events</b> 102–103 / <b>giornate degli autori: miu miu women's tales</b> 104–108 / <b>giornate degli autori: venetian nights</b> 109–111 / <b>giornate degli autori: lux prize</b> 112 / <b>giornate degli autori: closing film</b> — 113 / <b>sic. film critics' week: opening film. out of competition</b> 114–120 / <b>sic. film critics' week: competition</b> 121 / <b>sic. film critics' week: closing film. out of competition</b> 122 / <b>sic@sic: opening short film</b> 123–129 / <b>sic@sic: competition</b> 130 / <b>sic@sic: closing short film</b> — 131–150 / <b>venezia classici: restored films</b> 151–159 / <b>venezia classici: documentary films</b> 160–162 / <b>biennale college cinema </b>