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Crossings and Meetings poster
197427mUnited States of America

Crossings and Meetings

Synopsis

A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are subjected to increasingly complex and proliferating configurations to arrive at what Emshwiller calls a "visual fugue" in time and space, structured like musical or mathematical sequences. The walking figure and its de-synchronized footsteps are multiplied, slowed down, accelerated, reversed, syncopated, overlapped and otherwise altered in multifarious variations on a theme, building in a kinetic, almost narrative progression of compositional relationships. The screen is finally transformed into a dance of motion by male and female figures in an abstracted, colorized space. Rather than an analysis of movement a la Muybridge, Crossings and Meetings is a celebration of the potential for representing movement in time and space through video.

Key Information & Fast Facts

Director
Ed Emshwiller
Original Title
Crossings and Meetings
Country of Origin
United States of America
Spoken Languages
English
Runtime
27m

Creative Leadership & Key Crew

Director

Ed Emshwiller

Film Editing

John Godfrey

Department Leadership Roster

Ed Emshwiller

Ed Emshwiller

Director

John Godfrey

Editor

Official cinematic photography and background stills for Crossings and Meetings.

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Frequently Asked Questions About Crossings and Meetings

Quick factual answers about cast, synopsis, director, box office, and release information.

What is Crossings and Meetings about?

A lone man walking across the video screen is the starting point for this dynamic formal exercise. This image and its accompanying sound are subjected to increasingly complex and proliferating configurations to arrive at what Emshwiller calls a "visual fugue" in time and space, structured like musical or mathematical sequences. The walking figure and its de-synchronized footsteps are multiplied, slowed down, accelerated, reversed, syncopated, overlapped and otherwise altered in multifarious variations on a theme, building in a kinetic, almost narrative progression of compositional relationships. The screen is finally transformed into a dance of motion by male and female figures in an abstracted, colorized space. Rather than an analysis of movement a la Muybridge, Crossings and Meetings is a celebration of the potential for representing movement in time and space through video.

Who directed Crossings and Meetings?

Crossings and Meetings was directed by Ed Emshwiller.

Who stars in Crossings and Meetings?

The principal cast of Crossings and Meetings includes Not specified.

When was Crossings and Meetings released and how long is it?

Crossings and Meetings was released in 1974 with a total runtime of 27m.