
Ver a Hilda Vera
Synopsis
A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera
Top Cast
Explore Star Directory →Release History & Theatrical Window
October 22, 1998
Physical Home Media
Key Information & Fast Facts
- Director
- Alberto Gómez Díaz
- Screenplay & Story
- Alberto Gómez Díaz
- Original Score
- Roberto Tarzieris
- Original Title
- Ver a Hilda Vera
- Country of Origin
- Venezuela
- Spoken Languages
- Spanish
- Runtime
- 58m
- Production Studios
- Consejo Nacional de la Cultura (CONAC), Centro Nacional Autónomo de Cinematografía (CNAC)
Creative Leadership & Key Crew
Alberto Gómez Díaz
Alberto Gómez Díaz
Roberto Tarzieris
Alberto Gómez Díaz
Department Leadership Roster
Alberto Gómez Díaz
Director
Alberto Gómez Díaz
Screenplay
Alberto Gómez Díaz
Editor
Production Stills & Gallery
Official cinematic photography and background stills for Ver a Hilda Vera.
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Frequently Asked Questions About Ver a Hilda Vera
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Ver a Hilda Vera about?
A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera
Who directed Ver a Hilda Vera?
Ver a Hilda Vera was directed by Alberto Gómez Díaz.
Who stars in Ver a Hilda Vera?
The principal cast of Ver a Hilda Vera includes Hilda Vera, Orlando Urdaneta, Miguelangel Landa, Rafael Briceño, Román Chalbaud.
When was Ver a Hilda Vera released and how long is it?
Ver a Hilda Vera was released in 1998 with a total runtime of 58m.
Who composed the musical score for Ver a Hilda Vera?
The original motion picture soundtrack for Ver a Hilda Vera was composed by Roberto Tarzieris.

















