

Anna Netrebko: The Woman, the Voice
Synopsis
Since her thrilling, 1995 debut at the San Francisco Opera, soprano Anna Netrebko has starred with opera companies and orchestras worldwide. This video gathers some of her best moments in excerpts from Giacomo Puccini's "La Boheme"; Charles Francois Gounod's "Faust"; Wolfgang Amadeus Mozart's "Don Giovanni"; Vincenzo Bellini's "La Sonnambula"; and Antonin Dvorak's "Rusalka." Also included are interviews with Netrebko and her colleagues.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Vincent Paterson
- Original Title
- Anna Netrebko: The Woman, the Voice
- Country of Origin
- Austria
- Spoken Languages
- English
- Runtime
- Unknown
- Production Studios
- Deutsche Grammophon
Creative Leadership & Key Crew
Vincent Paterson
Department Leadership Roster
Vincent Paterson
Director
Production Stills & Gallery
Official cinematic photography and background stills for Anna Netrebko: The Woman, the Voice.
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Frequently Asked Questions About Anna Netrebko: The Woman, the Voice
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Anna Netrebko: The Woman, the Voice about?
Since her thrilling, 1995 debut at the San Francisco Opera, soprano Anna Netrebko has starred with opera companies and orchestras worldwide. This video gathers some of her best moments in excerpts from Giacomo Puccini's "La Boheme"; Charles Francois Gounod's "Faust"; Wolfgang Amadeus Mozart's "Don Giovanni"; Vincenzo Bellini's "La Sonnambula"; and Antonin Dvorak's "Rusalka." Also included are interviews with Netrebko and her colleagues.
Who directed Anna Netrebko: The Woman, the Voice?
Anna Netrebko: The Woman, the Voice was directed by Vincent Paterson.
Who stars in Anna Netrebko: The Woman, the Voice?
The principal cast of Anna Netrebko: The Woman, the Voice includes Anna Netrebko.
When was Anna Netrebko: The Woman, the Voice released and how long is it?
Anna Netrebko: The Woman, the Voice was released in 2003 with a total runtime of Unknown.



















