
Vida/Perra
Synopsis
Vida/Perra is the first feature-length film of Aguirre's "Anticine" and the first monologue in movie history. Aguirre's wife, Esperanza Roy, is the actress of this piece of visual art made as an adaptation of Ángel Vázquez's novel, whose texts are read by Esperanza "as they are." This means, the text have been extracted from the novel without changing their words.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Javier Aguirre
- Screenplay & Story
- Ángel Vázquez, Javier Aguirre
- Original Score
- Jesús Villa Rojo
- Original Title
- Vida/Perra
- Country of Origin
- Spain
- Spoken Languages
- Spanish
- Runtime
- 1h 33m
- Production Studios
- Bermúdez de Castro P.C.
Creative Leadership & Key Crew
Javier Aguirre
Ángel Vázquez, Javier Aguirre
Jesús Villa Rojo
Manuel Rojas
Antonio Ramírez de Loaysa
Department Leadership Roster
Javier Aguirre
Director
Manuel Rojas
Director of Photography
Javier Aguirre
Writer
Antonio Ramírez de Loaysa
Editor
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Frequently Asked Questions About Vida/Perra
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Vida/Perra about?
Vida/Perra is the first feature-length film of Aguirre's "Anticine" and the first monologue in movie history. Aguirre's wife, Esperanza Roy, is the actress of this piece of visual art made as an adaptation of Ángel Vázquez's novel, whose texts are read by Esperanza "as they are." This means, the text have been extracted from the novel without changing their words.
Who directed Vida/Perra?
Vida/Perra was directed by Javier Aguirre.
Who stars in Vida/Perra?
The principal cast of Vida/Perra includes Esperanza Roy.
When was Vida/Perra released and how long is it?
Vida/Perra was released in 1982 with a total runtime of 1h 33m.
Who composed the musical score for Vida/Perra?
The original motion picture soundtrack for Vida/Perra was composed by Jesús Villa Rojo.
Is Vida/Perra based on a book or true story?
Vida/Perra is adapted from the following source material: Novel: "Ángel Vázquez".
