

The Lovelorn Geisha
夜の流れ
Synopsis
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Yūzō Kawashima, Mikio Naruse
- Screenplay & Story
- Zenzō Matsuyama, Toshiro Ide
- Original Score
- Ichirō Saitō
- Original Title
- 夜の流れ
- Country of Origin
- Japan
- Spoken Languages
- Japanese
- Runtime
- 1h 51m
- Production Studios
- TOHO
Creative Leadership & Key Crew
Yūzō Kawashima, Mikio Naruse
Zenzō Matsuyama, Toshiro Ide
Ichirō Saitō
Tadashi Iimura, Jun Yasumoto
Eiji Ooi
Mikio Naruse, Sanezumi Fujimoto
Department Leadership Roster
Yūzō Kawashima
Director
Mikio Naruse
Director
Zenzō Matsuyama
Screenplay
Toshiro Ide
Screenplay
Tadashi Iimura
Director of Photography
Ichirō Saitō
Original Music Composer
Jun Yasumoto
Director of Photography
Eiji Ooi
Editor
Production Stills & Gallery
Official cinematic photography and background stills for The Lovelorn Geisha.
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Cinematography One
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Frequently Asked Questions About The Lovelorn Geisha
Quick factual answers about cast, synopsis, director, box office, and release information.
What is The Lovelorn Geisha about?
A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.
Who directed The Lovelorn Geisha?
The Lovelorn Geisha was directed by Yūzō Kawashima, Mikio Naruse.
Who stars in The Lovelorn Geisha?
The principal cast of The Lovelorn Geisha includes Yōko Tsukasa, Isuzu Yamada, Akira Takarada, Tatsuya Mihashi, Yumi Shirakawa.
When was The Lovelorn Geisha released and how long is it?
The Lovelorn Geisha was released in 1960 with a total runtime of 1h 51m.
Who composed the musical score for The Lovelorn Geisha?
The original motion picture soundtrack for The Lovelorn Geisha was composed by Ichirō Saitō.
