
Cronaca Nera 2: Diritto d'autore
Synopsis
Thanks to this new concept of cinema X-verite, penetrate into the spicy scenes hidden behind the most incredible cases of immorality. This true story shot without the least concession, which scandalized all of Italy, will lead you in to the decadent and depraved world of hustling Italian politics.
Part of the Cronaca Nera Collection
Stream the entire interconnected saga and experience every installment in chronological storyline order.
Top Cast
Explore Star Directory →Release History & Theatrical Window
May 1, 1994
Physical Home Media
Key Information & Fast Facts
- Director
- Mario Salieri
- Screenplay & Story
- Mario Salieri
- Original Title
- Cronaca Nera 2: Diritto d'autore
- Country of Origin
- Italy
- Spoken Languages
- Italian, English
- Runtime
- 54m
- Production Studios
- Mario Salieri Entertainment Group, Colmax
Creative Leadership & Key Crew
Mario Salieri
Mario Salieri
Bruno De Sisti
Alessio Del Duca
Department Leadership Roster
Alessio Del Duca
Editor
Mario Salieri
Director
Bruno De Sisti
Director of Photography
Mario Salieri
Writer
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Frequently Asked Questions About Cronaca Nera 2: Diritto d'autore
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Cronaca Nera 2: Diritto d'autore about?
Thanks to this new concept of cinema X-verite, penetrate into the spicy scenes hidden behind the most incredible cases of immorality. This true story shot without the least concession, which scandalized all of Italy, will lead you in to the decadent and depraved world of hustling Italian politics.
Who directed Cronaca Nera 2: Diritto d'autore?
Cronaca Nera 2: Diritto d'autore was directed by Mario Salieri.
Who stars in Cronaca Nera 2: Diritto d'autore?
The principal cast of Cronaca Nera 2: Diritto d'autore includes Barbara Doll, Béatrice Valle, Julia Channel, Deborah Wells, Maéva.
When was Cronaca Nera 2: Diritto d'autore released and how long is it?
Cronaca Nera 2: Diritto d'autore was released in 1994 with a total runtime of 54m.




















