
Women... Oh, Women!
日本の夜 女・女・女物語
Synopsis
A sex-documentary focusing on the women of Japan, with particular emphasis on participants in the country's night-life. The film is a series of scenes visiting a variety of women such as female wrestlers, strippers, and geisha. Nuns and sea divers are also shown, along with scenes of transvestism and drug addiction.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Tetsuji Takechi, Satoru Kobayashi
- Screenplay & Story
- Toru Kino, Tatsuji Tsuta
- Original Score
- Jiro Takemura
- Original Title
- 日本の夜 女・女・女物語
- Country of Origin
- Japan
- Spoken Languages
- Japanese
- Runtime
- 1h 20m
Creative Leadership & Key Crew
Tetsuji Takechi, Satoru Kobayashi
Toru Kino, Tatsuji Tsuta
Jiro Takemura
Kazutoshi Akutagawa
Hiroshige Sano
Department Leadership Roster
Tetsuji Takechi
Director
Toru Kino
Screenplay
Tatsuji Tsuta
Screenplay
Satoru Kobayashi
Director
Kazutoshi Akutagawa
Director of Photography
Production Stills & Gallery
Official cinematic photography and background stills for Women... Oh, Women!.
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Frequently Asked Questions About Women... Oh, Women!
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Women... Oh, Women! about?
A sex-documentary focusing on the women of Japan, with particular emphasis on participants in the country's night-life. The film is a series of scenes visiting a variety of women such as female wrestlers, strippers, and geisha. Nuns and sea divers are also shown, along with scenes of transvestism and drug addiction.
Who directed Women... Oh, Women!?
Women... Oh, Women! was directed by Tetsuji Takechi, Satoru Kobayashi.
Who stars in Women... Oh, Women!?
The principal cast of Women... Oh, Women! includes Ayurô Miki, Tony Tani.
When was Women... Oh, Women! released and how long is it?
Women... Oh, Women! was released in 1963 with a total runtime of 1h 20m.
Who composed the musical score for Women... Oh, Women!?
The original motion picture soundtrack for Women... Oh, Women! was composed by Jiro Takemura.
