
Por uma Tecla
Synopsis
A writer falls in love with one of his characters, devoting more attention to her than to his own wife. A conflict of expectations arises: Amadeu waits for Dalina, who hopes for his affection in return; Carmina waits for Amadeu, who replaces her with Dalina under the pretext of being consumed by a new creative idea for his novel. It is a game of truth and fiction that could lead the relationship to unexpected consequences.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Valdir Oliveira
- Screenplay & Story
- Valdir Oliveira
- Original Title
- Por uma Tecla
- Country of Origin
- Brazil
- Spoken Languages
- Portuguese
- Runtime
- 12m
Creative Leadership & Key Crew
Valdir Oliveira
Valdir Oliveira
Maria Pessoa
Marcelo Lordello
Diogo Balbino
Department Leadership Roster
Valdir Oliveira
Director
Diogo Balbino
Producer
Valdir Oliveira
Writer
Marcelo Lordello
Editor
Maria Pessoa
Director of Photography
Production Stills & Gallery
Official cinematic photography and background stills for Por uma Tecla.
More Like Por uma Tecla
Recommended titles matching themes, cast, and genres.












Frequently Asked Questions About Por uma Tecla
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Por uma Tecla about?
A writer falls in love with one of his characters, devoting more attention to her than to his own wife. A conflict of expectations arises: Amadeu waits for Dalina, who hopes for his affection in return; Carmina waits for Amadeu, who replaces her with Dalina under the pretext of being consumed by a new creative idea for his novel. It is a game of truth and fiction that could lead the relationship to unexpected consequences.
Who directed Por uma Tecla?
Por uma Tecla was directed by Valdir Oliveira.
Who stars in Por uma Tecla?
The principal cast of Por uma Tecla includes Júlio Rocha, Hilda Torres, Sônia Bierbard.
When was Por uma Tecla released and how long is it?
Por uma Tecla was released in 2008 with a total runtime of 12m.
