

IAI
遺愛
“The world is full of curses.”
Synopsis
After her father’s death, Kana returns home to care for her ailing mother. Soon, she begins experiencing vivid dreams and strange premonitions. When a dream about a high school classmate jumping in front of a train comes true, Kana’s anxiety spirals.
Top Cast
Explore Star Directory →Release History & Theatrical Window
International Film Festival Rotterdam
Festival / Special Debut
Key Information & Fast Facts
- Director
- Zenzo Sakai
- Screenplay & Story
- Keisuke Miyazaki, Zenzo Sakai
- Original Score
- Akihiko Yoshikawa
- Original Title
- 遺愛
- Country of Origin
- Japan
- Spoken Languages
- Japanese
- Runtime
- 1h 30m
- Production Studios
- Drunken Bird, TV Tokyo, Rights Cube
Creative Leadership & Key Crew
Zenzo Sakai
Keisuke Miyazaki, Zenzo Sakai
Akihiko Yoshikawa
Ryotaro Kawaguchi
Keisuke Miyazaki
Kotaro Fujiyama, Yusuke Suzuki, 百々保之, Futoshi Asano
Department Leadership Roster
Zenzo Sakai
Director
Kotaro Fujiyama
Producer
Keisuke Miyazaki
Screenplay
Zenzo Sakai
Screenplay
Keisuke Miyazaki
Editor
Kyoko Matsui
Production Design
Yusuke Suzuki
Producer
百々保之
Producer
Ryotaro Kawaguchi
Director of Photography
Production Stills & Gallery
Official cinematic photography and background stills for IAI.
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Frequently Asked Questions About IAI
Quick factual answers about cast, synopsis, director, box office, and release information.
What is IAI about?
After her father’s death, Kana returns home to care for her ailing mother. Soon, she begins experiencing vivid dreams and strange premonitions. When a dream about a high school classmate jumping in front of a train comes true, Kana’s anxiety spirals.
Who directed IAI?
IAI was directed by Zenzo Sakai.
Who stars in IAI?
The principal cast of IAI includes Rio Yamashita, An Ogawa, Kyōko Fujī, Saori Seto, Anam Sekiguchi.
When was IAI released and how long is it?
IAI was released in 2026 with a total runtime of 1h 30m.
Who composed the musical score for IAI?
The original motion picture soundtrack for IAI was composed by Akihiko Yoshikawa.
