
The Impostor (hello goodbye)
Synopsis
One of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expressing the artist's anxiety in making the video itself.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Daniel Cockburn
- Screenplay & Story
- Daniel Cockburn
- Original Score
- Alexander Glenfield
- Original Title
- The Impostor (hello goodbye)
- Country of Origin
- Canada
- Spoken Languages
- English
- Runtime
- 9m
- Production Studios
- ZeroFunction Productions
Creative Leadership & Key Crew
Daniel Cockburn
Daniel Cockburn
Alexander Glenfield
Daniel Cockburn
Department Leadership Roster
Daniel Cockburn
Director
Daniel Cockburn
Writer
Daniel Cockburn
Editor
Production Stills & Gallery
Official cinematic photography and background stills for The Impostor (hello goodbye).
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Frequently Asked Questions About The Impostor (hello goodbye)
Quick factual answers about cast, synopsis, director, box office, and release information.
What is The Impostor (hello goodbye) about?
One of several works commissioned for The Colin Campbell Sessions and inspired by the makings of video art pioneer Colin Campbell for the Tranz Tech festival. Cockburn's video draws formally on Campbell's style while at the same time metaphorically expressing the artist's anxiety in making the video itself.
Who directed The Impostor (hello goodbye)?
The Impostor (hello goodbye) was directed by Daniel Cockburn.
Who stars in The Impostor (hello goodbye)?
The principal cast of The Impostor (hello goodbye) includes Daniel Cockburn.
When was The Impostor (hello goodbye) released and how long is it?
The Impostor (hello goodbye) was released in 2003 with a total runtime of 9m.
Who composed the musical score for The Impostor (hello goodbye)?
The original motion picture soundtrack for The Impostor (hello goodbye) was composed by Alexander Glenfield.
