

Coca Mama
Synopsis
Paulina, a young merchant, arrives to Kintupata, where the coca leaf is cultivated. She becomes a friend and lover of Gato, the local drug trafficker, and Antonio, the eternal writer and former drug addict. Paulina’s conflict, confused and trapped by her new relationships is intermingled with the drama of the coca farmers. Filmed in the town center of Villa Mejorada, Valley of the Apurímac River, Ayacucho.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Marianne Eyde
- Screenplay & Story
- Marianne Eyde
- Original Score
- Américo Valencia
- Original Title
- Coca Mama
- Country of Origin
- Peru
- Spoken Languages
- Spanish
- Runtime
- 1h 15m
- Production Studios
- K & S Films
Creative Leadership & Key Crew
Marianne Eyde
Marianne Eyde
Américo Valencia
Edgard Lostaunau
Marianne Eyde
Department Leadership Roster
Marianne Eyde
Writer
Marianne Eyde
Director
Edgard Lostaunau
Editor
Marianne Eyde
Producer
Production Stills & Gallery
Official cinematic photography and background stills for Coca Mama.
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Frequently Asked Questions About Coca Mama
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Coca Mama about?
Paulina, a young merchant, arrives to Kintupata, where the coca leaf is cultivated. She becomes a friend and lover of Gato, the local drug trafficker, and Antonio, the eternal writer and former drug addict. Paulina’s conflict, confused and trapped by her new relationships is intermingled with the drama of the coca farmers. Filmed in the town center of Villa Mejorada, Valley of the Apurímac River, Ayacucho.
Who directed Coca Mama?
Coca Mama was directed by Marianne Eyde.
Who stars in Coca Mama?
The principal cast of Coca Mama includes Milagros Del Carpio, Miguel Medina, Óscar Carrillo.
When was Coca Mama released and how long is it?
Coca Mama was released in 2004 with a total runtime of 1h 15m.
Who composed the musical score for Coca Mama?
The original motion picture soundtrack for Coca Mama was composed by Américo Valencia.
