Empleadas y patrones
Synopsis
A documentary about domestic workers and their peculiar relationship with their employers. Rich and poor, under the same roof, share entire lives and as a consequence, very complex emotional ties arise.
Trailers, Teasers & Extra Featurettes
Official promotional previews, behind-the-scenes footage, and exclusive clips.
MAIDS AND BOSSES. EMPLEADAS Y PATRONES. Trailer.
Type: Trailer • Published 2020-04-21
Key Information & Fast Facts
- Director
- Abner Benaim
- Screenplay & Story
- Abner Benaim
- Original Score
- Pedro Onetto
- Original Title
- Empleadas y patrones
- Country of Origin
- Argentina, Panama
- Spoken Languages
- English
- Runtime
- 1h 4m
- Production Studios
- Apertura Films, Barakacine Producciones
Creative Leadership & Key Crew
Abner Benaim
Abner Benaim
Pedro Onetto
Alejandra Martín
Carlos Revelo, Fernando Vega
Department Leadership Roster
Abner Benaim
Director
Abner Benaim
Writer
Alejandra Martín
Director of Photography
Carlos Revelo
Editor
Fernando Vega
Editor
Production Stills & Gallery
Official cinematic photography and background stills for Empleadas y patrones.
More Like Empleadas y patrones
Recommended titles matching themes, cast, and genres.
Frequently Asked Questions About Empleadas y patrones
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Empleadas y patrones about?
A documentary about domestic workers and their peculiar relationship with their employers. Rich and poor, under the same roof, share entire lives and as a consequence, very complex emotional ties arise.
Who directed Empleadas y patrones?
Empleadas y patrones was directed by Abner Benaim.
Who stars in Empleadas y patrones?
The principal cast of Empleadas y patrones includes Not specified.
When was Empleadas y patrones released and how long is it?
Empleadas y patrones was released in 2010 with a total runtime of 1h 4m.
Who composed the musical score for Empleadas y patrones?
The original motion picture soundtrack for Empleadas y patrones was composed by Pedro Onetto.