
America 2100
Synopsis
Two everyday schlubs are inadvertently frozen for 120 years, awakening to a wacky future run by a robot named MAX. Pilot episode for unproduced series.
Trailers, Teasers & Extra Featurettes
Official promotional previews, behind-the-scenes footage, and exclusive clips.
WLS Channel 7 - America 2100 (Complete Pilot, 1979)
Type: Clip • Published 2017-10-30
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Joel Zwick
- Screenplay & Story
- Irma Kalish, Mark Rothman, Austin Kalish, Lowell Ganz
- Original Score
- Jonathan Tunick
- Original Title
- America 2100
- Country of Origin
- United States of America
- Spoken Languages
- English
- Runtime
- 30m
- Production Studios
- Arim Productions, Rothman/Ganz Productions, Paramount Television
Creative Leadership & Key Crew
Joel Zwick
Irma Kalish, Mark Rothman, Austin Kalish, Lowell Ganz
Jonathan Tunick
Douglas Hines
Gary Menteer, Irma Kalish, Austin Kalish
Department Leadership Roster
Gary Menteer
Producer
Irma Kalish
Writer
Joel Zwick
Director
Al Lehman
Costume Design
Mark Rothman
Writer
Austin Kalish
Writer
Douglas Hines
Editor
Lowell Ganz
Writer
Jonathan Tunick
Original Music Composer
Production Stills & Gallery
Official cinematic photography and background stills for America 2100.
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Frequently Asked Questions About America 2100
Quick factual answers about cast, synopsis, director, box office, and release information.
What is America 2100 about?
Two everyday schlubs are inadvertently frozen for 120 years, awakening to a wacky future run by a robot named MAX. Pilot episode for unproduced series.
Who directed America 2100?
America 2100 was directed by Joel Zwick.
Who stars in America 2100?
The principal cast of America 2100 includes Karen Valentine, Jon Cutler, Mark King, Sid Caesar.
When was America 2100 released and how long is it?
America 2100 was released in 1979 with a total runtime of 30m.
Who composed the musical score for America 2100?
The original motion picture soundtrack for America 2100 was composed by Jonathan Tunick.



















