

Frankenstein: How to Make a Monster
Synopsis
Follows six talented performers who interpret Mary Shelley’s classic novel from their own perspective; as young people growing up in 21st-century Britain. Using only their own mouths to make every sound in the film, with beatboxing and a capella, they explore how today’s society creates its own monsters.
Top Cast
Explore Star Directory →Key Information & Fast Facts
- Director
- Geej Ower
- Screenplay & Story
- Mary Shelley
- Original Title
- Frankenstein: How to Make a Monster
- Country of Origin
- United Kingdom
- Spoken Languages
- English
- Runtime
- Unknown
- Production Studios
- BBC Four, Battersea Arts Centre and Beatbox Academy
Creative Leadership & Key Crew
Geej Ower
Mary Shelley
Department Leadership Roster
Geej Ower
Director
Production Stills & Gallery
Official cinematic photography and background stills for Frankenstein: How to Make a Monster.
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Frequently Asked Questions About Frankenstein: How to Make a Monster
Quick factual answers about cast, synopsis, director, box office, and release information.
What is Frankenstein: How to Make a Monster about?
Follows six talented performers who interpret Mary Shelley’s classic novel from their own perspective; as young people growing up in 21st-century Britain. Using only their own mouths to make every sound in the film, with beatboxing and a capella, they explore how today’s society creates its own monsters.
Who directed Frankenstein: How to Make a Monster?
Frankenstein: How to Make a Monster was directed by Geej Ower.
Who stars in Frankenstein: How to Make a Monster?
The principal cast of Frankenstein: How to Make a Monster includes Tyler Worthington, Alex Hackett, Kate Donnachie.
When was Frankenstein: How to Make a Monster released and how long is it?
Frankenstein: How to Make a Monster was released in 2022 with a total runtime of Unknown.
Is Frankenstein: How to Make a Monster based on a book or true story?
Frankenstein: How to Make a Monster is adapted from the following source material: Novel: "Mary Shelley".
