![California Trilogy](data:image/svg+xml,%3Csvg xmlns="http://www.w3.org/2000/svg" viewBox="0 0 2 3"%3E%3Crect width="2" height="3" fill="%23161922"/%3E%3C/svg%3E)
Produced at the junction of two millennia, the California Trilogy is James Benning's three-part topographical study of America's "Golden State". Looking to the past while investigating the present, the mathematician-turned-filmmaker condenses three distinct Californian landscapes into a total of 105 shots, each exactly 2½ minutes long. Formal restraint and compositional precision combine with ambient sound and an unheard social commentary to create a hypnotic journey across the 31st US State; from the Great Central Valley (El Valley Centro) through greater Los Angeles (Los) to the Californian wilderness (Sogobi).
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Experimental filmmaker James Benning returns with this abstract documentary about California's Central Valley, part 1 of his "California Trilogy". Consisting of 35 shots, each over two minutes long, the film quietly portrays nature's subjugation to encroaching commercial interests. This film was screened at the 2000 Sundance Film Festival.
Los Angeles is depicted in 35 stationary shots, each 2½ minutes long, in this non-narrative film, part 2 of Benning's "California Trilogy".
Named after the Shoshonean word for "Earth", this is the third and final part of Benning's "California Trilogy" and his approach to the Californian wilderness in 35 static scenes.